Everything about Matthew Dewey totally explained
Matthew Ingvald Dewey (born 1984) is an
Australian
composer and singer.
General information
Matthew Dewey is an
Australian composer and singer. He studied composition with Professor
Douglas Knehans at the
University of Tasmania and composition/theatrical design/singing with Greek-Australian composer/designer
Constantine Koukias. His very early years were spent training with the
IHOS Music Theatre Laboratory in the creation of new musical-theatrical works, and this early exposure led to a career that flourished at an unusually young age. He works mostly in Australian contemporary opera/music-theatre and been involved in the premieres of more than 20 new works as a principal performer and singer, and numerous other productions variously as composer, orchestrator, conductor and compositional assistant. His own works include operas:
15 Years on Hold,
The Death of Chatterton (about the life of
Thomas Chatterton) and
The Priest's Passion; various songs including two cycles utilising text of the esteemed ex-pat South African poet
Anne Kellas: "Isolated States", "Notes for mount Moono" and two song suites based on the work of his brother, Australian poet
Nicholas Dewey, entitled "Elegy" and "Compass" (The later commissioned and premiered by the
Sydney Children's Choir); Chamber works include two pieces written for the
Seymour Group: "A Dance on Five Claps" and "Voyage" the later of which was written for the
Seymour Group in conjunction with the internationally renowned bass-clarinettist
Harry Sparnaay; "Flight and Reverie" which premiered at the
University of Hawaii and "Entropic Visions" that was given by Joshua Rubin at the
Lincoln Center in New York. Dewey's compositional methodology focuses on the meshing of the natural speech patterns of the English language and his lyrical and iridescent musical voice.
His first
symphony (for string orchestra) dealt with emotions surrounding the
Port Arthur Massacre. The symphony was inspired by Tasmanian playwright
Tom Holloway's play
Beyond the Neck.
Matthew is also the Founder and Director of the
Tasmanian Composers Collective and the Artistic Director of Daylight Robbery Theatricals.
Important Compositions
Opera
» =====15 Years on Hold===== - An Opera in One Act. Chamber Opera. Libretto by Matthew Dewey,
Nicholas Dewey and
Alexander Dick, based on a concept by Matthew Dewey. (Premiere April 4th 2007 @ Playhouse Theatre, Hobart by Daylight Robbery Theatricals, Auspiced by
IHOS Music Theatre and Opera. Conducted and Directed by composer, Assistant Director
Craig Wood, Featuring
Michael Lampard (Baritone),
Craig Wood (Baritone),
Rainor Trippet (Spoken),
Rupert Brennen (Spoken) and
Charlea Edwards (Spoken). 40'00"
» ===== The Death of Chatterton===== – A Mythography in One Act for One Man. Libretto by composer on a concept by
Robert Jarman, exploring the life of English poet and prodigy
Thomas Chatterton. (Workshop premiere @ Mount Nelson Studio Theatre, Hobart by
IHOS Music Theatre and Opera, Conducted by composer, Directed by
Robert Jarman, Performed by Christopher Richardson (Baritone) in September 2005; Recorded for ABC Classic FM by Brooke Green and broadcast in 2006). (Workshop Duration) 35’00”
» ===== The Priest's Passion===== – A One-Scene Chamber Opera. Libretto by composer. (Premiered @ Studio Theatre, Hobart by
IHOS Music Theatre Laboratory w/ Tasmanian Conservatorium, Conducted by
Jean-Louis Forestier, Directed by
Robert Jarman in September 2004; Recorded for ABC Classic FM by Brooke Green for subsequent broadcast). 20’00”
Song Cycles, Suites and Songs
» Compass - Song Cycle for
Cambiata Choir. Based on poems by
Nicholas Dewey. Commissioned by Ben van Tienen for the Sydney Children’s Choir (Cambiata Group). Premiered by the
Sydney Childrens Choir conducted by Ben van Tienen on the 3rd of July 2006, at the Verbrugen Hall (
Sydney Conservatorium). 13’00”
» Insomniac – A Song for solo Baritone on the poem of the same name by
Sylvia Plath. (Premiered @ Tasmanian Conservatorium by
Michael Lampard on the 7/10/2005) 5’20”
» Notes for Mount Moono – Song Cycle for Soprano and Piano on a set of poems by
Anne Kellas from her 1989 collection, Poems from Mt Moono,
Hippogriff Press, 1989. 15’00”
» Elegy – A Song Suite for Soprano, Two Percussionists and Digital Pre-record. Based on the poem of the same name by
Nicholas Dewey. (Premiered @ Maldini’s Restaurant Salamanca by
Sarah Jones [Soprano]
Robert Rule [Percussion1] and composer [percussion2] for the IHOS / Maldini’s winter Music Series, July 2004; Subsequent performance at the Tasmanian Conservatorium [sameartists] October 2004) 16’00”
» Isolated States – Song Cycle for Solo Baritone and String Quartet on poems of
Anne Kellas from her 2001 collection of the same name. (Excerpts Premiered @ Tasmanian Conservatorium by the composer [Bass] and the New Music Ensemble String Quartet, October 2003) 25’00”
» To a Skylark – For Soprano and Piano. On a poem of the same name by
William Wordsworth (Premiered by
Sarah Jones [Sop] and
Ben van Tienen [Piano] @ Mt. Nelson Theatre Hobart, February 2004; Recorded for ABC Classic FM by Brooke Green during September and Broadcast in November 2004 [sameartists]) 5’30”
Chamber
» Flight and Reverie – Quartet for
Viol Consort. (Commissioned by
Brooke Green for
Backgammon Gambas, premiered by Backgammon Gambas at the Pan Pacific
Gamba Gathering, at the
University of Hawaii at Manoa in
Honolulu (Hawaii) August 3rd 2007). 6’00”
» Entropic Visions – Miniature For Solo Clarinet. (Written for the New York Miniaturist Ensemble, premiered by NYME member
Joshua Rubin at the
Bruno Walter Auditorium in the
Lincoln Centre in
New York. November 30th 2006). 1’20”
» Ecstatic Visions – For Solo Viola and Guitar Quartet. (Commissioned by Violist
William Lane for the
Contemporanes ensemble de guitarras de Monterrey (Mexico). 6’20”
» Three Contemplations – For Solo Harp in 3 movements (I Prelude, II Phantasm & III Arabesque). (Premiered by
Christina Sonnemann at the Tasmanian Conservatorium Recital Hall, May 2005). 10’00”
» Voyage – (Premiered @ Tasmanian Conservatorium, by the
Seymour Group, Conducted by
Mark Summerbell, Bass-clarinet soloist
Harry Sparnaay, September 2003). 8’00”
» A Dance on 5 Claps – (Premiered @ Tasmanian Conservatorium, by the
Seymour Group, Conducted by
Mark Summerbell, May 2003). 5’30”
» Fold – For Solo Piano (Derived from the score for Gordon Cleeland’s short film “Fold” premiered in 2001). 2’40”
Operatic Roles Premiered
- "Principal Bass" in Australasian premiere of Hydrogen Jukebox by Phillip Glass
- "Archondas" in Australasian premiere of I Protomastoras (The Masterbuilder) by Manolis Kalomiris
- "Caretaker" in world premiere of Touch Wood by Claudio Pompili
- "Head Corporate" in world premiere of Slip - Synthetic Spaces by Hugh Covill
- "Arturas" in world premiere workshop of ”Olegas” by Constantine Koukias
- "George Westinghouse" in Tesla - Lightning in His Hand (World premiere of Tesla-Suite version) by Constantine Koukias
- "Principal Singer" in world premiere of Da Ponte in Absentia by Constantine Koukias
- "Principal Male Performer" in world premiere of ”As if Electronically Controlled” by Christopher Williams
- "Bee Keeper" in world premiere of Spirits of the Hoist by Constantine Koukias
- "Friend" in world premiere of The Fall of the House of Usher by Maria Grenfell
- "Bass" (Trio of the Moon) in world premiere of A Lizard Between her Breasts by Raffaele Marcellino
Awards and scholarships
International Arts Mentorship (
Foundation for Young Australians and
Ars Musica Australis 2006)
IHOS Music Theatre and Opera Young Artist Bursary (IHOS 2004)
Hobart City Council
Don Kay Scholarship for Music Composition (
University of Tasmania 2003)
Further Information
Get more info on 'Matthew Dewey'.
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